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The Museum on the Roof of the World

Harris, Clare E.:
The Museum on the Roof of the World : Art, Politics, and the Representation of Tibet / Clare E. Harris. - Chicago ; London : The University of Chicago Press, 2012. - ca. 328 S. : Ill. - (Buddhism and Modernity)
ISBN 978-0-226-31747-2 (Hardcover)
US$ 45,00
ISBN 978-0-226-31750-2 (eBook)
US$ 7,00 bis US$ 36,00
DDC: 709.515

For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This bookis a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them.
   Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond. [Verlagsinformation]

List of Illustrations. ix
Introduction. 1
1. The Tibet Museum in the West. 17
2. The Younghusband Mission and Tibetan Art. 49
3. Picturing Tibet for the Imperial Archive. 79
4. Photography and the Politics of Memory. 117
5. The Tibet Museum in Exile. 153
6. The Tibet Museum in Lhasa. 177
7. The Invention of Tibetan Contemporary Art. 207
8. The Buddha Goes Global. 239
Acknowledgments. 265
A Note on Languages. 269
Notes. 271
References. 297
Index. 307

Clare E. Harris is a reader in visual anthropology at the School of Anthropology and Museum Ethnography at the University of Oxford, curator for Asian collections at the Pitt Rivers Museum, and a fellow of Magdalen College, Oxford. She is the author of In the Image of Tibet: Tibetan Painting after 1959. Profile page.

Quellen: University of Chicago Press; WorldCat; Amazon; Library of Congress; Google Books
Bildquelle: University of Chicago Press
Bibliographie: [1]